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Photograph: Ullstein Bild is only partially translated. Aus Den 6 ländlerischen Tänzen KV 606 Wolfgang Amadeusz Mozart.Motion Picture Soundtrack lyrics and music: Radiohead.
#Kabaret polski how to
How to Disappear Completely lyrics and music: Radiohead. The National Anthem lyrics and music: Radiohead. Everything In Its Right Place lyrics and music: Radiohead. Hallelujah lyrics and music: Leonard Cohen. Musica para los jameos del agua music: Samuel Aguilar. Wenn ich mir was wunschen durfte lyrics and music: Friedrich Hollaender. Time to Say Goodbye music: Francesco Sartori, Lucio Quarantotto, Frank Peterson. Je T'aime.Moi Non Plus lyrics and music: Serge Gainsbourg. Ca c’est Paris lyrics and music: J.Padilla, F.Pearly, L.Boyer, J.Charles. My Funny Valentine lyrics: Lorenz Hart, music: Richard Rodgers. Halaila lyrics and music: Yitzy Waldner. Das Rheingold Richard Wagner – the excerpt of the overture. Big Spender lyrics: Dorothy Fields, music: Cy Coleman. O du, mein holder Abendstern aria from the opera Tannhauser Richard Wagner. Oh, du shöner Westerwald lyrics: Willi Münker, music: Joseph Neuhäuser. John Cameron Mitchell Shortbus translated by Piotr Gruszczyński. © Copyright for Polish translation by Wydawnictwo Literackie, 2008 Jonathan Littell The Kindly Ones translated by Katarzyna Kamińska-Maurugeon. © Copyright by The Estate of Christopher Isherwood © Copyright by The Estate of John Van Druten. John Van Druten I Am a Camera translated by Piotr Gruszczyński – the adaptation of Goodbye to Berlin by Christopher Isherwood. By arrangement with Peter Lampack Agency 551 5th Avenue, Suite 1613, New York, NY 10176-0187 USA John Maxwell Coetzee Life and Times of Michael K. translated by Magdalena Konikowska. John Maxwell Coetzee Age of Iron translated by Anna Mysłowska. The book translated by Jacek Poniedziałek was published by Grupa WydawniczaFoksal in 2013. © Copyright for the Polish translation by Grupa Wydawnicza Foksal, 2013. © Copyright by Justin Vivian Bond, 2011 Published in 2011 by The Feminist Press at the City University of New York. My Childhood, Backwards and in High Heels translated by Jacek Poniedziałek. Adaptation: Krzysztof Warlikowski, Piotr Gruszczyński, Szczepan Orłowski. In creating a therapeutic space where fears and taboos can be Warlikowski shows the threats and oppression that inevitably accrue around such enclaves. But art proves fatal for its acolytes, infusing them with doubt and making life impossible. The play portrays a group of artists who exist for the sake of art. With Kabaret warszawski, the team of Nowy Teatr confronts diverse scenarios of oppression. Cabaret is by definition a space of freedom, governed by the misrule of a never-ending carnival. With this production, Warlikowski, notorious for engaging his spectators in an unending debate about the issues that matter most, has chosen to work within the genre of cabaret, whose basic assumptions include addressing spectators directly and breaking the convention of the fourth wall separating performers from their audience. These restrictions can only be circumvented in closed, all-but-underground spaces to which only insiders are admitted. Consequently, societal norms are becoming a prison of sorts. In an age of uniformity and oppressive normalization, imposed partly in the name of collective security, people’s right to be themselves and their freedom of self-expression are increasingly curtailed and undermined. In bringing together these two eras and places, the director explores the limits or restrictions on freedom in today’s world. These two worlds serve as a mirror in which the Warsaw of today can see itself. The two distinct historical realities channeled here – Weimar Germany prior to the Nazi takeover, and post-9/11 New York – are virtual laboratories of time and space, in which historical circumstances bring out hidden and repressed fears, as well as sexual and erotic phobias and longing that cause tension and lead to all sorts of crisis situations.
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